A divorcee moves her family cross-country to take her paralyzed son to a pioneer neurosurgeon.

Whispers of Home is an animated short film depicting snippets of everyday life, inspired by the director's trip to Salamiyah, her hometown, in the summer of 2024. It was her first visit to Syria after thirteen years due to a decade-long civil war. The film is a love letter to her family and heritage.

Born and raised as a mixed-race child in the aftermath of the Korean War Junho Kim, recounts his feelings of being out of place and his longing for the American father he never knew.

A resilient young woman navigates the silent solitude of her world and confronts the turbulent echoes of family addiction and buried secrets, all while forging a path toward redemption.

Han-kook starts to work as an apprentice chef at a Chinese restauraunt belonging to his father's friend, but rather than follow the painstaking process of preparing the food by hand, Han-kook begins to use pre-processed ingredients.

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In 2005, Kang Moon-Jae (Lee Hyun-Woo) is a high-school student and a trouble maker. Since his mother remarried, Kang Moon-Jae has lived with his father, Kang Ka-Deuk (Ahn Nae-Sang), but he can't get along with him. One day, Kang Moon-Jae runs away on his motorcycle and gets into an accident.He then finds himself in 2015 and learns that his father is in a comatose state. Ka-Deuk got into an accident trying to find his son. Kang Moon-Jae decides to go back to 2005 to change the future.

艾格尼丝、玛丽亚和卡琳虽然是三姊妹，各人内心却有着积重难返的隔膜和疏离。艾格尼丝身患绝症，生命将近，守护在她身边的是女仆安娜。艾格尼丝没有得到过母亲完整的爱，死前妄想让关系紧张的姐妹变得珍爱彼此，却一再事与愿违。 玛丽亚是最得母亲宠爱的孩子，因此遭到姐妹的嫉妒。她的感情生活处理的一塌糊涂，在丈夫和情人之间徘徊周旋。她对爱越是拥有，就越是贪婪。 卡琳的生活更是充满压抑。和丈夫的关系陷入僵局，令她沉沦于自虐。 和好的愿望太过遥远，她们想摆脱生活的阴影，重新拉近彼此的心，却发现隔膜似乎不可打破。

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. 　　“Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)